Showing posts with label Deep Vellum. Show all posts
Showing posts with label Deep Vellum. Show all posts

Thursday, February 18, 2016

Review: THE PIRATE, by Jón Gnarr

The Pirate, by Jón Gnarr. Published 2016 by Deep Vellum. Translated from the Icelandic by Lytton Smith.

In the followup to Gnarr's The Indian and the second in a trilogy of fiction/memoir about 1970s Iceland, a young teen with learning and social difficulties finds himself attracted to punk rock and all it represents as he tries to find his way through school and family life.

Jón is a middle school kid stuck in the middle. At school his fellow students mercilessly bully him while his teachers barely register his presence, and at home his parents struggle in vain to control a child who's experimenting with drugs and drinking. Jón has an especially difficult relationship with his father, a police officer. He finds consolation in music and becomes drawn to punk rock with its heady mix of freedom, rebellion and camaraderie. Instead of going to school he hangs out with other disaffected kids- runaways, dropouts and misfits- where he starts to find community and a purpose.

Gnarr the writer does an incredible job of telling the story from a kid's perspective, showing Jón's naivete and idealism, along with poor judgement, tortured kid-logic and blasé cynicism and emotional detachment. When his grandmother dies, Jón takes it in stride: "She was from another world, a shadowy, ancient world where it was always cold and everyone was wet and either hungry or very ill the whole time. So they tended to die sooner or later." His relationship with his mother is summed up in the opening paragraphs: "She had a downcast expression. 'Come have a chat with me, Jón.' She wasn't angry. I hadn't done anything. I'd even been unusually quiet. But whenever I heard that tone in her voice it meant she blamed me for something, like the time she found cigarettes in my pocket." And his father is just "weird."

Gnarr goes on to describe the intolerable abuse he suffered at the hands of his schoolmates who stalk and beat him daily. He doesn't know what to say to his parents. It's as though the world is split in two, between what goes on inside and outside his home. He makes friends with a bus driver and finds a group of kids to hang out with with issues similar to his own. Little by little he finds some purpose, some things to believe in, rooted in the belief that he's different somehow:
My brain was like a nuclear power plant producing endless ideas and words. The words were three-dimensional, and under each word were sentences, new meanings, possibilities. The words swapped, merged, formed new sentences. the words played on the emotions like harp...But others didn't see me with my eyes. They wouldn't. They just saw me with their eyes. The lived in prison. but I was outside. I was free, but they were closed off...They were blind because they did not see.
Ah, yes, that wonderful child's belief that they know things adults don't, like the adults had never been kids or had utterly forgotten what it was like and are incapable of empathy. It takes a child's narcissism to believe that you know more about what someone else is thinking than they do, and I love how Gnarr replicates this state of mind so perfectly. It stands alone well but would probably be rewarding to read as part of the series too. The Pirate is brilliant, heartbreaking and so true to a kid's brain it's painful sometimes, great for adult readers of adult or YA fiction.

Rating: BUY

FTC Disclosure: I did not receive this book for review.

Tuesday, January 12, 2016

Review: THE MOUNTAIN AND THE WALL, by Alisa Ganieva

The Mountain and The Wall, by Alisa Ganieva. Published 2015 by Deep Vellum. Literary Fiction. Translated from Russian by Carol Apollonio.

Alisa Ganieva's first book is also the first book to come to us in English from Dagestan, an ex-Soviet republic in the Caucasus Mountains with a diverse population representing many languages and ethnic groups. The reader gets a strong sense of this diversity in The Mountain and The Wall, a novel about the rise of Islamic fundamentalism in the capital of Makhachkala once a rumor spreads that the Russians are building a wall to separate itself frog Dagestan.

Ganieva tells the story mostly through the eyes of Shamil, a young man with a lot of time on his hands and some personal issues to muddle through. There's the state of his love life now that his fiancee has taken up with a would-be mujaheddin, and what's going on with his friends, and more. Then there are the other misfits in town- Asya, a young woman whose family is convinced will never marry, and who may not even want to marry. And there's the writer who's finally finished his book. What's going to become of these people, and others, now that "the beards" are taking things over?

There's a lively wedding, which may be the last for a while, and more rumors flying around on all sides, and very little is known for sure. Ganieva weaves stories and more stories into her tale- Soviet propaganda, religious texts, poems, excerpts from novels, folk tales and more- which help create a sense of depth and richness, a sense of shared traditions and also of traditions that are very different from each other and struggling to coexist. Whether they'll be able to is the thing we're waiting to find out.

I hope we see more writing from the Caucasus and I liked this book but I can't say I loved it. It was kind of slow and drawn-out, a matter of taste more than judgement since I like plot-driven books and the pacing was a little jittery for me. Ganieva does a wonderful job bringing this community to life particularly at the beginning with a town meeting that is both hilarious and dark and foreboding. She eviscerates just about everyone at one time or another, except the star-crossed lovers at the center of her story, who are just trying to find their way through the chaos.

Rating: BACKLIST

Read My Own Damn Books Challenge: 1

FTC Disclosure: I did not receive my copy for review.