Showing posts with label Overlook Press. Show all posts
Showing posts with label Overlook Press. Show all posts

Wednesday, November 6, 2013

Review: DANIEL STEIN, INTERPRETER, by Ludmila Ulitskaya

Daniel Stein, Interpreter, by Ludmila Ulitskaya. Published 2012 by Overlook. Literary Fiction. Translated from the Russian.

Daniel Stein, Interpreter, is a "novel in documents," a kind of epistolary fictional meditation on the life of a Polish Jew named Daniel Stein who survives the Holocaust and World War 2 by, among other things, translating for the Gestapo. Then during the war he saves the lives of 300 Jews during a raid and eventually becomes a Catholic priest and moves to Israel. Daniel's story is based on that of a real man, Oswald Rufeisen, and while the character Daniel is based on him, Daniel is not he himself. Award-winning Russian writer Ludmila Ulitskaya tells Daniel's story through letters, diaries and official documents and thus the story shifts both in time and perspective. Over the course of the novel connections form between the characters, who seem disparate and diverse at first but who are all connected through a small Polish community torn apart by murder.

The book starts with Ewa Manukyan, a Polish woman searching for information on her father. Her mother Rita is a difficult, unlikeable woman, aging and needy, who had in her youth a reputation as a ferocious soldier. Ewa cannot relate to her at all, and she begins a friendship with Esther Gantman, a wealthy exile living in Boston who, together with her late husband, worked in the Polish ghetto of Emsk during the war. Ewa and Esther's story connects with others, who then connect with Daniel Stein, the enigmatic man at the center of this very complex story.

Brother Daniel's story starts as one of shifting identity. He hides in plain sight by pretending to be Polish; a gifted linguist, he speaks German and Polish fluently and is an accomplished horseman. He works for the Gestapo but tries to undermine them at the same time; he finds both danger and friendship in this life, and has to make heartbreaking choices with consequences that will haunt him for the rest of his life. After the war he establishes a church in Israel that attempts to return to a time before Christianity split from its Jewish founders and then with itself.

In doing so, he steps into the quagmire of Israel's many religious sects and their zealots. He runs afoul of the Catholic Church with some unorthodox preaching and he runs afoul of the state of Israel by asking for Israeli citizenship as a returned Jew. But he has friends. His followers love him; his assistant Hilda, a German woman who has made a home for herself in the desert, would, it seems, follow him to the ends of the earth but her love for him isn't romantic. That she shares with Musa, an Arab Christian who also assists Brother Daniel's ministry. And Brother Daniel has a powerful friend in his boyhood acquaintance Karol, who ascends to the highest office the Church has to offer. Over the years his life intersects with many lives, and Ulitskaya tells their stories alongside his; they embellish each other and create a detailed panorama of life during and after the war.

I loved this book, and so did many, but it has been criticized, too. Some have said that Daniel is a distant figure, that we never get close to him, and because this is an essentially epistolary novel we see Daniel either through the eyes of others as mediated by whatever form Ulitskaya is using, or through his own public statements, so I think that's a valid observation but it doesn't limit the book's power for me. I think she means to hold him at a distance, to make him unknowable even as she meditates on him. The book has also received criticism for its negative portrayal of life in Israel in the years following World War 2- the inflexibility of its government and the fractiousness of its people. I would agree that she does not portray Israel as a paradise but I'm not sure that's a valid critique of the novel as such.

So yeah, I loved it. Reading Ulitskaya is always a treat and unfortunately only four of her many books are available in English. I've read two others and I have the fourth on the shelf. I almost don't want to read it right away because then I'm all out! I loved this book for its characters and the way Ulitskaya unwinds their relationships, and I loved the way they evolve and grow. The characters have distinct voices, problems, perspectives and limitations; Daniel himself lurks in every story even when he's not mentioned explicitly. Ulitskaya uses these other people as lenses through which to see and understand him, to work out what made him tick and how he became this strange and unusual person. And I drank in every word. It's very character-driven as you might guess, very emotional too. Ulitskaya deals with a lot of heavy issues that will raise strong emotions in many readers. As a Catholic with a Pope who seems to value compassion as highly as dogma, it was fascinating to read about a priest similarly inclined, set at a time when religious movements were actively staking claim to land and followers based on dogma. And I want to learn more about Rufeisen, the man behind the story. And I want to read more Ulitskaya. Actually, I can't wait to!

A serious and moving literary novel, Daniel Stein is definitely one of my favorites of 2013.

Rating: BUY

FTC Disclosure: I did not receive this book for review.

Thursday, February 12, 2009

REVIEW: Sima's Undergarments for Women, by Ilana Stanger-Ross

Sima's Undergarments for Women, by Ilana Stanger-Ross. Published 2009 by Overlook Press.

Click here to buy Sima's Undergarments for Women from your favorite indie bookstore.

Set in the Jewish-Orthodox neighborhood of Boro Park, New York, Sima's Undergarments for Women centers on Sima Goldner, an older woman who runs a lingerie shop in her basement, one of many such under-the-radar neighborhood businesses dotting this close community. Sima and her husband, Lev, are childless and entering late middle age locked in a tense relationship characterized by a lack of communication and a lack of warmth. The shop is Sima's domain, her escape, and her means of establishing relationships with her community.

Then one day, a beautiful young Israeli woman named Timna enters the shop. Newly arrived in America, Timna, who as it happens is a skilled seamstress, ends up working for Sima, doing alterations and selling lacy pretties to the customers. Sima is smitten with Timna and soon builds a vivid fantasy life around the quiet young lady, leading her to become ever more attached and involved in her life.

The story unfolds on a double time line- the present and the past comingling as Stanger-Ross takes the reader to the early days of Sima's marriage and her struggles with fertility. Sima is devastated that she cannot have children, and this sadness fuels her alienation from her husband and her involvement in work. Now, I understand that Sima's feelings towards Timna are supposed to come from her thwarted maternal instinct- Timna is supposed to represent a surrogate daughter. However, Sima's behavior- sniffing Timna's sweaters, obsessing over her love life, dressing up in a disguise and stalking her- strikes me as less maternal tenderness and more mental illness. Couple this with her bitterness and nasty coldness towards her husband, and, despite the personal tragedy of her infertility, she comes across as quite unpleasant.

So it's a problem when a novel hinges on your compassion for a character who's actually quite unhinged herself. Timna seems like a normal enough young woman- outgoing, busy, lots of friends, with normal post-adolescent ups and downs with parents and boyfriends, but really almost all we know about her is that she's pretty and from Israel. Sima's husband Lev strikes me as the real tragic figure of the novel. He sits upstairs by himself all day, his loneliness relieved only by occasional visits from his wife's employee who comes up to share a cup of coffee and a little conversation, while his wife berates, belittles and humiliates him. Much of the novel's melodrama focuses on Sima's low self-esteem but Lev deserves a lot better than what he gets for most of the book, too.

On balance I think Stanger-Ross has written a good first novel, and I know a lot of other reviewers saw different things in it than I did, and I respect that. I wouldn't want to dissuade anyone else from giving it a go who's interested in women's or Jewish-interest fiction but for me it was hard to like only because Sima was so hard to like. What I like best about Sima's Undergarments for Women is the way Stanger-Ross has created a microcosm of womens' lives and moods and feelings. It's a neighborhood shop filled with different kinds of families, women and men, where all kinds of personal and domestic dramas are played out over what bra to buy- weddings, bat mitzvahs, training bras, bras to show off in, bras to hide in, bras for comfort and fashion and fun. And her lead characters, Sima and Timna, certainly exemplify the many stages and permutations of a woman's life as well.

Rating: BORROW

FTC Disclosure: I received this book for review from the publisher.